Showing posts with label Philip Bailey. Show all posts
Showing posts with label Philip Bailey. Show all posts

Wednesday, January 17, 2018

Reposted review of Shining Star, Philip Bailey's life story!

Here's a reposted book review I wrote in 2015, before Maurice White died of Parkinson's Disease.  I'm putting it here for all who are interested...

Having been a child of the 1970s and 80s, I am well acquainted with the fusion genius of the band Earth, Wind & Fire. I had a sister who played their music all the time and, of course, I heard it on the radio non-stop. When I got older, I started to buy the band’s better known albums. I have always admired the great talents of the people who comprise the elements of Earth, Wind & Fire (EWF), especially the band’s founder, Maurice White, and falsetto frontman and conga player Philip Bailey. When I saw that Bailey had written a book about his life and experiences in EWF, I knew I had to read it. I just finished the book the other day and feel like I came away with new respect and knowledge for a very long running and talented band.


The band back in 1973.

Bailey co-wrote his book, Shining Star, with ghostwriters Kent and Keith Zimmerman, but I always got the sense that the words in this book were coming straight from Bailey himself. He starts at the beginning, explaining how his parents moved to Denver, Colorado, where he was born. Since Bailey’s father was a military man who had a rocky relationship with his mother, Bailey didn’t really know his dad until he was well into adulthood. He and his sister were primarily raised by his mother and his stepfather. Bailey expressly thanks the public education system of Denver, Colorado for giving him strong instruction in music. That education led him to his chosen career as one of the lead singers for one of the most influential, most talented, and best loved bands in music history. He also writes about Maurice White, who grew up in Memphis and eventually moved to Chicago, where his mother and stepfather, Verdine Adams, Sr., gave him two half brothers. Brothers Verdine White, the frenetic bass player for EWF, and drummer brother Freddie, changed their surnames to White’s out of a sense of solidarity with their older brother. 
Bailey offers a colorful account of the band’s earliest days, when they traveled to gigs in station wagons. I got a kick out of his commentary about how the band got around in the early days. Apparently, Verdine White is a fantastic bass player, but can’t drive worth a damn. He also writes about how the earliest stage shows were conceived, where they got their costumes, and even offers some fun trivia about EWF in its heyday. For instance, I had no idea that the band hired Doug Henning and David Copperfield to make their live shows more exciting and… magical. Bailey also writes about some of the less pleasant aspects of being in the band. During EWF’s heyday, Bailey was pretty much an employee in the group and was paid accordingly. Maurice White called all the shots and was paid the most, which naturally led to some friction, especially when the band temporarily broke up in the 1980s. Bailey and the rest of his bandmates were enjoying a steady and generous paycheck, which abruptly stopped when Maurice White determined it was time.

One aspect of this book that I found especially interesting was EWF’s association with David Foster. In 1978, Foster was a young, up and coming composer. He approached EWF with a ballad he’d written called “After The Love Is Gone”. It, of course, became a monster hit for EWF and launched a successful partnership between Foster and EWF. David Foster has gone on to have a great career composing music for other bands and movie soundtracks. Indeed, he’s work a lot with another brass heavy band called Chicago, which has been known to share concert billing with Earth, Wind & Fire. Aside from working with David Foster, Bailey also famously sang a duet with Phil Collins. If you were around in 1984, you might remember “Easy Lover”, which Bailey recorded with Collins right after EWF temporarily folded.


Philip Bailey discusses his memoir, Shining Star.

Bailey also reveals information about his personal life. Bailey married his first wife, Janet, when they were both very young. Life on the road presented a lot of temptations, though, and Bailey admits that he was not faithful to his wife. One affair produced an out of wedlock daughter. He also dabbled a bit in drugs. Nevertheless, they went on to have four children. After their divorced, Bailey got remarried to a woman named Krystal with whom he had two more kids. They divorced in 2010.
Unfortunately, Maurice White no longer performs with EWF. He suffers from Parkinson’s Disease, which makes making music at his prior level impossible (edited to add: Maurice White died in 2016). White still maintains an executive role in the band, which is now wholly fronted by Philip Bailey, Verdine White, and Ralph Johnson. I still love listening to this band even without Maurice White at the front. Just watching Verdine White dance while he plays bass is enough to get me going. 

Shining Star is required reading for any EWF fan. Bailey does a great job balancing his personal story with that of the band’s, offering plenty of interesting stories without getting bogged down in minutiae. He includes photos and lots of juicy tidbits about what it’s like to work with some of the finest musicians popular music has ever heard, but he never gets long-winded. Naturally, I recommend his book! It made the music nerd in me sing!

Friday, March 8, 2013

Earth, Wind and Fire...

I loooooooove Earth, Wind and Fire.  I own a DVD that pairs them up with Chicago, another band I enjoy.  And while they're both great on the DVD, I much prefer Earth, Wind and Fire's contributions, even though Maurice White, the supremely charismatic and sexy frontman, can no longer perform because he has Parkinson's Disease.  I love everything about EWF-- from their wild costumes to their superior musicianship.  I love watching Verdine White, Maurice's brother, dance like a whirling dervish while he plays guitar.  I love hearing Philip Bailey hit stratospheric high notes.  And I love their funky music.  That's why today's post is dedicated to EWF.

Here's a video of EWF performing with The Emotions, a band they shepherded into a couple of hits in the late 70s.  This song always reminds me of roller skating, but I love it for its energy and fun, even if its disco.


Here's a great version of the 1975 hit, "That's The Way Of The World"... 


The song "Fantasy" always reminds me of living in England.  It was popular when we lived there.  Here, Philip Bailey hits impossible high notes at that concert I mentioned with Chicago.  I assume he still has his testicles.  Wow!


I love the song "In The Stone", which had sort of slipped from my consciousness until I saw the movie, Drumline, which made me remember how stupendous this band is...


"After The Love Is Gone" is one of EWF's best love ballads... even though this song is about love that's gone.


Just hearing the funkified beats of "Shining Star" gives me goosepimples, even if I'm hopelessly funkless.

"September" is one of my favorite EWF songs of all time...


closely matched by "Sing A Song"... a great song for chasing away the blues!

Yeah, it's safe to say that I love me some EWF.  I miss the days when this kind of music was still popular.  It beats the hell out of anything LMFAO.